Assisted suicide: why now?

A hundred years ago when people did die in agony from such illnesses as a burst appendix, there was little talk of legalizing euthanasia. But now, when pain and other forms of suffering are readily alleviated and the hospice movement has created truly compassionate methods to care for the dying, suddenly we hear the battle cry “death with dignity” as “the ultimate civil liberty.”

I’ve found two answers: First, the perceived overriding purpose of society has shifted to the benefit of assisted suicide advocacy, and second, our public policies are driven and defined by a media increasingly addicted to slinging emotional narratives rather than reporting about rational discourse and engaging in principled analysis. Add in a popular culture enamored with social outlaws, and the potential exists for a perfect euthanasia storm.

Social commentator Yuval Levin, a protégé of ethicist Leon Kass, described the new societal zeitgeist in his recent book Imagining the Future: Science and American Democracy. While not about assisted suicide per se, Levin hit the nail on the head when he described society as no longer being concerned primarily with helping citizens to lead “the virtuous life.” Rather, he wrote, “relief and preservation from disease and pain, from misery and necessity” have “become the defining ends of human action, and therefore of human societies.” In other words, preventing suffering and virtually all difficulty is now paramount. In such a cultural milieu, eliminating suffering easily mutates into eliminating the sufferer.

The prevent-suffering-at-all-costs agenda is harnessed by assisted suicide advocates through publicizing heart-rending stories of seriously ill or disabled patients who want to die. Illustrating how potent this emotional narrative has become, even the ghoulish Jack Kevorkian is being remade into a big softy concerned solely with relieving suffering. Indeed, none other than Al Pacino sympathetically portrayed Kevorkian in the recent HBO movie, You Don’t Know Jack.

Ignored by the script writers and the media, the real Kevorkian was the mirror opposite of compassionate. In his 1993 book Prescription Medicide: The Goodness of Planned Death, Kevorkian made his ultimate purpose chillingly clear, calling assisted suicide “a first step, an early distasteful professional obligation” toward obtaining a license to engage in human experimentation. Wesley Smith